{"version":"1.0","provider_name":"De Bezige Bij","provider_url":"https:\/\/foreignrights.debezigebij.nl","author_name":"speak (voor Middleware)","author_url":"https:\/\/foreignrights.debezigebij.nl\/author\/speak\/","title":"Restanten - De Bezige Bij","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"meBugMebu1\"><a href=\"https:\/\/foreignrights.debezigebij.nl\/boeken\/restanten\/\">Restanten<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/foreignrights.debezigebij.nl\/boeken\/restanten\/embed\/#?secret=meBugMebu1\" width=\"600\" height=\"338\" title=\"&#8220;Restanten&#8221; &#8212; De Bezige Bij\" data-secret=\"meBugMebu1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/foreignrights.debezigebij.nl\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Op het moment dat Jan Fabre Mount Olympus. To glorify the cult of tragedy (a 24 hour performance) op de wereld losliet, was het niet alleen de intensiteit of de duur van de voorstelling die indruk maakte op pers en publiek. Ook de intieme po&#235;tische taal en de rijkdom van de beschreven droombeelden wekten veel..."}